Category Archives: An Ember in the Wind

Maroon Monday

  By Robert Watson | 16 September, 2013 - 13:40 | ,
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This is an illustration of The University of Locana from An Ember in the Wind and Mara of the Ori. Happy Monday!

An Ember in the Wind, Revision R71

  By Robert Watson | 31 August, 2013 - 12:52 | ,
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I finished the first draft of An Ember in the Wind, just before my self-imposed deadline of 31 August. That was a close call, although meeting the deadline was more for personal satisfaction than anything else. Few things are more satisfying than solving a problem you went out of your way to create for yourself.

Next up, another revision! I’m happy enough with this draft that I don’t think a complete rewrite is necessary. But I do have a notebook full of notes that need consideration. Here’s a draft of the blurb.

 

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Mara is a young girl living in the height of the Italian Renaissance. When she runs away from home to join a group of scholars, she is ushered into an unseen world of fantasies – where the forests, flowers, and fields all have words to say. They clue her into the existence of the “sequence,” an intangible medium that governs the world like the gears of a clock, and instruct her to uncover it.

Just as she is about to unravel the riddle, she is forced from her home by an unknown assailant. Her grief causes her to lose her grasp of the magical world she once knew. Desperate to not completely let go, she travels to the city of Locana and employs the help of “the Ori,” a mysterious tutor who promises to help her see the world with the clarity she once had.

Meanwhile, her activities in the city draw the attention of a powerful and rising cult. They know that knowledge of the “sequence” bears implications of powers beyond even Mara’s own wild imagination, and seek to stop her. Mara realizes that in order to unravel the inner clockwork of the world, she must be able to see it with unadulterated eyes. But this means turning a blind eye to the impending perils of the cult and a brewing war. She must choose between dealing with the realities of a cruel world, or attempting to regain the innocence she lost.

An Ember in the Wind is the sequel to A Foundation in Wisdom.

Fall Semester

  By Robert Watson | 16 August, 2013 - 21:57 | , ,
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My wife has recently tipped me off on some new developments in the world of hypertext and electronic fiction. Unfortunately, I just haven’t had the time to finish reading and researching it all. So, a bit later on that, then.

This week I’ve been busy preparing for classes. Fall semester is probably my favorite of the two, especially August, September, and October. The humidity is going away, the weather begins to cool. This is the time of year everyone, faculty and students, seem most excited to be in school. It’s fun to watch the freshmen adapt to adulthood, and to be a part of that.

Spring semester isn’t quite the same. Even by the end of January, people start to look forward to summer. The hopes of a new year are replaced by the realities of  time. There’s never enough to get everything done.

But I did finish one summer project. I’m happy to say I met my goal of finishing the “primary part” of An Ember in the Wind by the end of summer. The sequel is formatted similar to A Foundation in Wisdom. By “primary part,” I’m referring to the part that makes up Sheridan’s tale.

I don’t want the chapter introductions, the dialogue between Sheridan and John Bartlebee, to be an afterthought. However, the fact of the matter is, they are a function of the main story.

The first draft brings with it what I’ll call first-draft blues. The draft is not great by any means. In fact, it may even be a little discouraging.

It’s easy to focus on the effort it takes to complete the first draft. Entire sites and programs are devoted to helping people get it done. (Hi, Nanowrimo!) And with good reason. It’s hard.

But it’s also easy to let the effort required to finish the first draft overshadow the effort required to revise it.

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It’s clear there’s a lot of work left to do. In elementary school, we once had an author visit our class and talk about writing a book. I remember only one thing from that presentation, that she said she did 23 revisions. She made writing a whole book seem like the sort of thing one would have to be crazy to attempt.

A Foundation in Wisdom went through 45 revisions. If you have a copy, it’s stamped on the copyright page (R45). Granted, once I started working with proofs, even a typo fix counted as a “revision”. However, before that point there were a handful of complete rewrites and multiple rounds of heavy editing.

Basically, it’s a lot of work. And for An Ember in the Wind, the majority of that work is still to come.

I don’t think community sites (like DeviantART) put enough emphasis on the revision aspect of writing. It concerns me a little because I often see students take the same attitude on term papers. (Yes, papers in math class). I don’t think this is the time to speculate on a reason, but I would be interested in hearing any insight anyone has to offer.

But, depending on who you listen to, it’s easy to walk away with the idea the first draft needs to be shining. Hence, it’s easy to walk away very discouraged after finishing the first draft.

So, I’m going to propose a new analogy. Writing a novel is like building a house. The first draft is like the design phase. After working with the architect, you should have a very good idea of what the finished project will look like. You have blueprints, 3D models, maybe even an artist’s rendering.

Now it’s time to build it.