Nanowrimo Statistics Over the Years

November is National Novel Writing Month, and I will most certainly not be participating. For the uninitiated, National Novel Writing Month, or Nanowrimo, is an annual event which challenges participants to write an entire novel in thirty days.

The rules are fairly simple. Write a 50,000 word novel in a month. If you win, you receive a certificate you can post on your website, blog, whatever. If you don’t win, the organization hires a team of henchmen to harass you. They mostly just do little things, like call pizzas and taxi cabs to your door in the middle of the night, drive slow in front of you on the highway, and basically, slowly drive you mad. You’ll definitely regret not finishing your novel.*

I will have my hands full with the revision of An Ember in the Wind, which spares me the potential public tar-and-feathering should I fail to complete a new manuscript. Plus, I’ve already “won” – in 2004.

Nanowrimo is an exercise in literary endurance more than anything else. To win, a writer must produce an average of 1,667 words per day. This is about 5-6 pages, double-spaced – the length of a typical, short college writing assignment.

At first glance, 1,667 words per day doesn’t sound too bad. “1,667 words” isn’t the hard part – it’s the per day that will get you. And this seems to be where many people drop off.

How many fail to complete the challenge? A lot. And it’s surprisingly difficult to find the numbers. I managed to track down the total statistics, which were mainly reported in various blogs. There was no central repository for this data – at least, that I’m aware of. Here are the Nanowrimo statistics that I found.

 

http://anorthogonaluniverse.com/misc/nano-stats.gnumeric

Download Spreadsheet (includes extra data) { gnumeric } { xlsx }

 

As you can see, the first year was, by far, the best. But given the history of Nanowrimo, that should come as no surprise. It started as a group of writer friends.

Participation has grown steadily since the turn of the century. But dedication has not. In fact, last year was the worst year ever in both completion (percentage of winners) and average word count. If you assume each winner wrote a 50,000 word novel, then the word count of the typical 2012 participant who did not complete the challenge was only 4,500.

This figure represents less than three day’s worth of writing at 1,667 words per day – suggesting the typical participant who did not complete the challenge gave up after the first couple of days.

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Of course, writing a novel is hard work. Apparently it is also a task whose difficulty is easily underestimated. After all, we tell stories about funny things our cats do all the time. How hard could it be to type it all out?

It’s more difficult than it first seems. Without a coherent plot, characters, well, a plan, your novel is a wingless airplane – destined for a quick take-off and crash-landing in the shrubs. Writing a longer work takes a certain amount of practice. And there’s only one way to get it.

Write.

Nanowrimo has done at least one thing right – it has encouraged many people, who otherwise wouldn’t, to step into the world of “writerdom.” Win or fail, hopefully participants leave with at least a new appreciation for what their favorite authors do. Perhaps they learned they have what it takes.

But more than likely, as was in 89% of the cases last year, they learned they didn’t. That’s okay, though. In my first attempt, which I believe was in 2002, I fell 28,000 words short of the mark. The failed manuscript sits on my hard drive, collecting bit-dust. I will probably never complete it, but it had served one useful purpose. It taught me how to do better the next time around.

With as much criticism against Nanowrimo as there is out there (and there’s a lot), if at least some of those 89% who failed the challenge in 2012 come back this year and win, with a new appreciation for writing and a respect for the work involved, I’d say it has done the literary world a service.

 

* Some of the statements in this paragraph may not be true.

statistics references
2012 – 2011: http://blog.nanowrimo.org/post/37647090597/2012-nanowrimo-stats-bigger-and-better-than-ever
2010 – 2009: http://blog.nanowrimo.org/post/2068578620/the-great-nanowrimo-stats-party
2004 – 2008: http://www.mpsaz.org/academy/staff/kmprocopio/class_18/files/nanowrimo_handout_for_website.pdf

Fact or Fiction 1 ~ Weights and Measures

Those who know me personally are used to my penchant for making up histories that are almost plausible enough to be considered “true”. Perhaps it is disappointing to find out they’re not, because otherwise the world would be more fun. So I’m throwing in a few actual histories, and leaving it up to you to determine “fact or fiction.”

Solutions to be revealed shortly…

 

History of the Kilogram

 

Having grown up with pounds and acres, the metric system has often seemed slightly unnatural. Sure, it’s mathematically simpler. Imperial units aren’t quite as friendly. My car gets 4.69 furlongs per jigger of gas. Is that good or bad?

Metric is simpler. Every base unit has a unique name, and the other units are derived from prefixes. That is, except one: the kilogram.

The kilogram is the one base unit with a prefix. What’s with that?

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Well, actually, there is a reason. The kilogram, along with the rest of the metric system, was developed around the time of the French revolution. Commissioned by King Lous XVI, the “grave” was to be based off of the mass of a litre of water at ice point. The word “grave” was a reference to “gravity,” and not the king’s inevitable demise.

After the king was sent to his grave, the “grave” was “suddenly” considered too heavy for practical use. At least, that’s the official word. Rather, the word “grave” was a reference to nobility. Since the scientists had grown accustomed to having heads, they distanced themselves from the politically incorrect “grave.” The “gramme” was defined as the weight of one cubic centimeter of water at ice point, and the base unit renamed “kilogram.”

And so the kilogram is the one base unit with a prefix, partly because the scientists who developed it preferred keeping their heads.

 

So, what is the verdict? Fact, or fiction?

An Ember in the Wind, Revision R71

I finished the first draft of An Ember in the Wind, just before my self-imposed deadline of 31 August. That was a close call, although meeting the deadline was more for personal satisfaction than anything else. Few things are more satisfying than solving a problem you went out of your way to create for yourself.

Next up, another revision! I’m happy enough with this draft that I don’t think a complete rewrite is necessary. But I do have a notebook full of notes that need consideration. Here’s a draft of the blurb.

 

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Mara is a young girl living in the height of the Italian Renaissance. When she runs away from home to join a group of scholars, she is ushered into an unseen world of fantasies – where the forests, flowers, and fields all have words to say. They clue her into the existence of the “sequence,” an intangible medium that governs the world like the gears of a clock, and instruct her to uncover it.

Just as she is about to unravel the riddle, she is forced from her home by an unknown assailant. Her grief causes her to lose her grasp of the magical world she once knew. Desperate to not completely let go, she travels to the city of Locana and employs the help of “the Ori,” a mysterious tutor who promises to help her see the world with the clarity she once had.

Meanwhile, her activities in the city draw the attention of a powerful and rising cult. They know that knowledge of the “sequence” bears implications of powers beyond even Mara’s own wild imagination, and seek to stop her. Mara realizes that in order to unravel the inner clockwork of the world, she must be able to see it with unadulterated eyes. But this means turning a blind eye to the impending perils of the cult and a brewing war. She must choose between dealing with the realities of a cruel world, or attempting to regain the innocence she lost.

An Ember in the Wind is the sequel to A Foundation in Wisdom.