Merciless with Words

Fordham Forest { Full View }

Fordham Forest { Full View }

 

Nanowrimo has officially started, and my word count currently sits at zero. Of course, I’m not participating anyway, so pfft. Rather, I’m still tying up the loose ends of An Ember in the Wind – and by that I mean working my inner editor into the wee hours of the morning.

I use bits and pieces of the “Nanowrimo approach” to writing a first draft, mainly in the “ignoring the inner editor” aspect. The problem with this is that I’ve spent so long shooing it away that when I want it to come back, it behaves like a frightened squirrel, running at the first drop of a pin.

The little voice that was all too pronounced when it wasn’t needed has hardly a peep to say now.

I’m willing to say it is not fatigue. I took a few weeks off after I finished the first draft. Maybe more would’ve been in order, but I felt ready to dive back in when I did.

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Perhaps it is rather the age of the project. Ember is going on seven years old, although some pieces are much older. And all the original lines are in full view.

A technical note: Most people use word processors to write. I use LaTeX, which compiles the document from a source file. One handy feature is that I can easily comment lines out, so that even if they’re not visible in the document output, they’re still visible in the source. The problem with that is I’m constantly starting at a seven-year history consisting of minor changes up through complete revamps of the plot and characters.

It’s not a distraction. There’s a constant reminder there’s a history to each word and sentence – the last sort of thing you’d want lurking when it’s time to bring out the word-chopping axe. And I mean “constant reminder” literally. It’s right there in the comments, “I wrote this paragraph in Buxton, NC.”

I’m not sure why I thought I’d want to know that several years later. It’s fun to read through the comments, though. I’m sure once I’m done revising, I’ll be glad they’re there – it’s why I haven’t deleted them.

In the meantime, I suppose it’s time to get merciless with my words.

Fun fact: What do Sheridan, Mingo, Elm, Peoria, Aspen, and Utica all have in common, besides being characters in A Foundation in Wisdom?

They’re all streets in Tulsa, OK.

Solutions!

Most of my free time has been wrapped up in the An Ember in the Wind rewrite, but I think it’s about time to wrap up a couple of loose ends.

Here are the solutions to a couple of the blog’s riddles.

The solution to “Fact or Fiction 1” is true. You can read it on the BIPM website itself.

As for False Dogma, here’s how to do it:

I usually give this riddle in my “College Algebra” course, as a quick illustration of how the “rules of mathematics” can be altered.

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When can you add 2 and 11 to get 1?

Here is the answer.

A more formal answer is “in the integers modulo 12.” If you’re willing to buy that, you can also add 2 and 11 to get 3 in the integers modulo 10.

So what about integers modulo 1? It turns out, such a thing exists. And in the integers modulo 1, any two integers are equal. So 2 + 2 = 4, which is also 5.

As for a simple explanation, just imagine a clock with only one hour on it. No matter how many hours you advance the hand, it’ll always point to the same number.

Nanowrimo Statistics Over the Years

November is National Novel Writing Month, and I will most certainly not be participating. For the uninitiated, National Novel Writing Month, or Nanowrimo, is an annual event which challenges participants to write an entire novel in thirty days.

The rules are fairly simple. Write a 50,000 word novel in a month. If you win, you receive a certificate you can post on your website, blog, whatever. If you don’t win, the organization hires a team of henchmen to harass you. They mostly just do little things, like call pizzas and taxi cabs to your door in the middle of the night, drive slow in front of you on the highway, and basically, slowly drive you mad. You’ll definitely regret not finishing your novel.*

I will have my hands full with the revision of An Ember in the Wind, which spares me the potential public tar-and-feathering should I fail to complete a new manuscript. Plus, I’ve already “won” – in 2004.

Nanowrimo is an exercise in literary endurance more than anything else. To win, a writer must produce an average of 1,667 words per day. This is about 5-6 pages, double-spaced – the length of a typical, short college writing assignment.

At first glance, 1,667 words per day doesn’t sound too bad. “1,667 words” isn’t the hard part – it’s the per day that will get you. And this seems to be where many people drop off.

How many fail to complete the challenge? A lot. And it’s surprisingly difficult to find the numbers. I managed to track down the total statistics, which were mainly reported in various blogs. There was no central repository for this data – at least, that I’m aware of. Here are the Nanowrimo statistics that I found.

 

http://anorthogonaluniverse.com/misc/nano-stats.gnumeric

Download Spreadsheet (includes extra data) { gnumeric } { xlsx }

 

As you can see, the first year was, by far, the best. But given the history of Nanowrimo, that should come as no surprise. It started as a group of writer friends.

Participation has grown steadily since the turn of the century. But dedication has not. In fact, last year was the worst year ever in both completion (percentage of winners) and average word count. If you assume each winner wrote a 50,000 word novel, then the word count of the typical 2012 participant who did not complete the challenge was only 4,500.

This figure represents less than three day’s worth of writing at 1,667 words per day – suggesting the typical participant who did not complete the challenge gave up after the first couple of days.

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Of course, writing a novel is hard work. Apparently it is also a task whose difficulty is easily underestimated. After all, we tell stories about funny things our cats do all the time. How hard could it be to type it all out?

It’s more difficult than it first seems. Without a coherent plot, characters, well, a plan, your novel is a wingless airplane – destined for a quick take-off and crash-landing in the shrubs. Writing a longer work takes a certain amount of practice. And there’s only one way to get it.

Write.

Nanowrimo has done at least one thing right – it has encouraged many people, who otherwise wouldn’t, to step into the world of “writerdom.” Win or fail, hopefully participants leave with at least a new appreciation for what their favorite authors do. Perhaps they learned they have what it takes.

But more than likely, as was in 89% of the cases last year, they learned they didn’t. That’s okay, though. In my first attempt, which I believe was in 2002, I fell 28,000 words short of the mark. The failed manuscript sits on my hard drive, collecting bit-dust. I will probably never complete it, but it had served one useful purpose. It taught me how to do better the next time around.

With as much criticism against Nanowrimo as there is out there (and there’s a lot), if at least some of those 89% who failed the challenge in 2012 come back this year and win, with a new appreciation for writing and a respect for the work involved, I’d say it has done the literary world a service.

 

* Some of the statements in this paragraph may not be true.

statistics references
2012 – 2011: http://blog.nanowrimo.org/post/37647090597/2012-nanowrimo-stats-bigger-and-better-than-ever
2010 – 2009: http://blog.nanowrimo.org/post/2068578620/the-great-nanowrimo-stats-party
2004 – 2008: http://www.mpsaz.org/academy/staff/kmprocopio/class_18/files/nanowrimo_handout_for_website.pdf